#64: Network (AFI) vs. The Third Man (IMDb)
Oh what this film could've been... |
The Third Man. It’s a 1949 noir some critics have
called perfect. Terms like “dark, atmospheric, stylish” are usually right up my
alley. But honestly, this movie just left me cold. It got marginally better after the Orson
Welles showed up two-thirds way through… but not much.
And the
music in this movie – what an utter travesty that was. Here’s a dark whodunit, based in post-war-torn
Austria which lies hobbled, but instead of music befitting the dark, bleak
images the music throughout the entire film is light-hearted, like some Italian
is going to come out and start dancing a wedding jig at any moment. Unbelievable. Utterly ruins any ambiance the film builds. Think of what Jaws would be with The Little
Mermaid soundtrack rather than John Williams’ score.
Network is a biting satire. Made in 1976, it’s
about a network broadcaster whose ratings are dropping and totally loses his
mind while on air, causing a huge ratings boost. If you have a vague memory (as I do) of people
collectively leaning out windows and shouting “We’re mad as hell and we’re not
going to take it anymore!” well then, you
remember this movie.
Network was probably a little out-there in
1976, but here in the age of Jerry
Springer and Big Brother, it’s just
another example of TV at its worst - as usual.
Regardless, it was morbidly entertaining. And had appropriate music.
So Network wins it over The Third Man. Score: AFI – 21; IMDb - 17
AFI’s Top 100
|
IMDB’s Top 100 (as of 1/1/12)
|
|
#58
|
The
Gold Rush (1925)
|
Memento (2000)
|
#64
|
Network
(1976)
|
The Third Man (1949)
|
#65
|
The
African Queen (1951)
|
L.A. Confidential (1997)
|
#66
|
Raiders of the Lost Ark (1981)
|
Reservoir Dogs (1992)
|
#67
|
Who’s Afraid of Virginia Woolf? (1966)
|
Chinatown
(1974)
|
#68
|
Unforgiven (1992)
|
The
Treasure of Sierra Madre (1948)
|
#69
|
Tootsie (1982)
|
Modern
Times (1936)
|
#70
|
A Clockwork Orange (1971)
|
Life
is Beautiful (1997)
|
#71
|
Saving
Private Ryan (1998)
|
Monty Python & the Holy Grail
(1975)
|
#72
|
The
Shawshank Redemption (1994)
|
Back to the Future (1985)
|
#73
|
Butch
Cassidy & the Sundance Kid (1969)
|
The Prestige (2006)
|
#74
|
Silence
of the Lambs (1991)
|
Pan’s Labyrinth (2006)
|
#75
|
In the Heat of the Night (1967)
|
Raging
Bull (1980)
|
#76
|
Forrest Gump (1994)
|
Cinema
Paradiso (1988)
|
#77
|
All the President’s Men (1976)
|
Singing
In the Rain (1952)
|
#78
|
Modern Times (1936)
|
Some
Like it Hot (1959)
|
#79
|
The Wild Bunch (1969)
|
The
Bridge on the River Kwai (1957)
|
#80
|
The Apartment (1960)
|
Rashomon
(1950)
|
#81
|
Spartacus (1960)
|
All
About Eve (1950)
|
#82
|
Sunrise:
A Song of Two Humans (1927)
|
Amadeus (1984)
|
#83
|
Titanic
(1997)
|
Once Upon A Time in America (1984)
|
#84
|
Easy Rider (1969)
|
The
Green Mile (1999)
|
#85
|
A Night at the Opera (1935)
|
Full
Metal Jacket (1987)
|
#86
|
Platoon
(1986)
|
2001: A Space Odyssey (1968)
|
#87
|
12 Angry Men (1957)
|
Inglorious
Basterds (2009)
|
#88
|
Bringing
Up Baby (1938)
|
The Great Dictator (1940)
|
#89
|
Sixth
Sense (1999)
|
Braveheart (1995)
|
#90
|
Swing Time (1936)
|
The
Bicycle Thief (1948)
|
#91
|
Sophie’s
Choice (1982)
|
The Apartment (1960)
|
#92
|
Up
(2009)
|
Goodfellas (1990)
|
#93
|
The
French Connection (1971)
|
Downfall (2004)
|
#94
|
Pulp
Fiction (1994)
|
Gran Torino (2008)
|
#95
|
The Last Picture Show (1971)
|
Metropolis
(1927)
|
#96
|
Do
The Right Thing (1989)
|
The Sting (1973)
|
#97
|
Blade
Runner (1982)
|
Gladiator (2000)
|
#98
|
Yankee Doodle Dandy (1942)
|
The
Maltese Falcon (1941)
|
#99
|
Toy
Story (1995)
|
Unforgiven (1992)
|
#100
|
Ben
Hur (1959)
|
The Elephant Man (1980)
|
Next week: Cabaret vs. Das Boot. Hmmm… Well, I
guess they both have to do with Nazis…
DAMMIT! I thought this week would be a big disagreement. But, alas... I'd still pick 3rd Man (I'm not a big Network fan) - but it all comes down to the score of 3rd Man.
ReplyDeleteI 100% agree - it's awful. TOTALLY destroys the movie. Shockingly, however, I've read various reports of film people loving it. I first saw it a few years ago and started looking into it. There are few "holy crap that music is so bad it destroys the ambiance completely" critiques.
I'd love to see that movie with the score of Maltese Falcon or something.