It's the Sunday
Showdown: continuing my comparison of the
American Film Institute's and Internet Movie Database's Top 100 films. I’ve
got a Triple Play for you this week, since I’ve been such a slacker and ,
dammit, I need to get through this list.
So:
#53: The Deer Hunter (AFI) vs. Double
Indemnity (IMDb)
#52: Taxi Driver (AFI) vs. A
Clockwork Orange (IMDb)
#51: West Side Story (AFI) vs. Paths
of Glory (IMDb)
Okay, Deer Hunter v. Double
Indemnity. Deer Hunter is yet another movie about the Vietnam War, and
evidently the rampant Russian Roulette that occurred there at the time. I spent the first half of the movie KNOWING
that director Michael Cimino was going to kick me in the teeth at some point.
But that didn’t stop me from spitting teeth when the kick finally came. The first half of the movie and the second
are entirely different -- like two
different films. But honestly, I didn’t like either of them too much.
I love a great femme fatale. |
Double
Indemnity I love. So cynical. What a femme
fatale. And no Christopher Walken. It
wins hands down.
Taxi
Driver vs. Clockwork Orange. Believe it
or not, I had never seen Taxi Driver. (Collective gasp! Even I was shocked I hadn’t
seen it.) It wasn’t what I thought it
was going to be. I’m not a huge DeNiro fan; I’m even less of a Scorsese fan.
But this, I liked. DeNiro was perfect crazy… unlike Clockwork Orange where everyone is just kill-yourself crazy. Clockwork
Orange showed up on the list at #70 for AFI. I didn’t like it then; I didn’t
have to watch it again to know I don’t like it now. So the vote definitely goes to Taxi Driver.
West Side Story
vs. Paths of Glory. OMG, more Kubrick? Seriously, somebody just
kill me. Paths of Glory is the most
anti of his anti-war drama. But after watching The Pianist just a couple of weeks ago where hundreds of Jews were shown
bravely (or at least stoically) facing their certain death, watching these few
pansies’ ridiculous histrionics about the firing squad made me just roll my
eyes. Die with a little dignity.
Although, I must admit, Kubrick’s last shots of the German
girl being forced to sing for the pleasure of the French soldiers, was pretty
masterful. For me, without that scene,
the film would’ve been a total wash. Either way, I get Kubrick’s oh-so-obvious
message: in war, it’s the innocent who suffer the most.
Even if I didn’t dislike Paths
of Glory so much, I’m not sure it would’ve won against West Side Story. I’m a musical theatre fanatic. And this is one of
the best. It proved that a musical could
survive – and flourish – in a move from stage to screen.
So, two wins for AFI this week and one for IMDb, bringing
the total score to: 28-22.
AFI’s Top 100
|
IMDb’s Top 100 (as of 1/1/12)
|
|
28
|
22
|
|
#51
|
West Side Story
(1961)
|
Paths of Glory (1957)
|
#52
|
Taxi Driver (1976)
|
A Clockwork Orange (1971)
|
#53
|
The Deer Hunter (1978)
|
Double
Indemnity (1944)
|
#54
|
M*A*S*H* (1970)
|
To Kill a Mockingbird (1962)
|
#55
|
North by Northwest (1959)
|
The Pianist (2002)
|
#56
|
Jaws
(1975)
|
The Lives of Others (2006)
|
#57
|
Rocky
(1976)
|
The Departed (2006)
|
#58
|
The
Gold Rush (1925)
|
Memento (2000)
|
#59
|
Nashville (1975)
|
City
Lights (1931)
|
#60
|
Duck Soup (1933)
|
Aliens
(1986)
|
#61
|
Sullivan's Travels (1941)
|
Eternal Sunshine of a Spotless Mind (2004)
|
#62
|
American Graffiti
(1973)
|
Requiem
for a Dream (2000)
|
#63
|
Cabaret (1972)
|
Das
Boot (1981)
|
#64
|
Network (1976)
|
The Third Man (1949)
|
#65
|
The
African Queen (1951)
|
L.A. Confidential (1997)
|
#66
|
Raiders of the Lost Ark (1981)
|
Reservoir Dogs (1992)
|
#67
|
Who’s Afraid of Virginia Woolf? (1966)
|
Chinatown
(1974)
|
#68
|
Unforgiven (1992)
|
The
Treasure of Sierra Madre (1948)
|
#69
|
Tootsie (1982)
|
Modern
Times (1936)
|
#70
|
A Clockwork Orange (1971)
|
Life
is Beautiful (1997)
|
#71
|
Saving
Private Ryan (1998)
|
Monty Python & the Holy Grail
(1975)
|
#72
|
The
Shawshank Redemption (1994)
|
Back to the Future (1985)
|
#73
|
Butch
Cassidy & the Sundance Kid (1969)
|
The Prestige (2006)
|
#74
|
Silence
of the Lambs (1991)
|
Pan’s Labyrinth (2006)
|
#75
|
In the Heat of the Night (1967)
|
Raging
Bull (1980)
|
#76
|
Forrest Gump (1994)
|
Cinema
Paradiso (1988)
|
#77
|
All the President’s Men (1976)
|
Singing
In the Rain (1952)
|
#78
|
Modern Times (1936)
|
Some
Like it Hot (1959)
|
#79
|
The Wild Bunch (1969)
|
The
Bridge on the River Kwai (1957)
|
#80
|
The Apartment (1960)
|
Rashomon
(1950)
|
#81
|
Spartacus (1960)
|
All
About Eve (1950)
|
#82
|
Sunrise:
A Song of Two Humans (1927)
|
Amadeus (1984)
|
#83
|
Titanic
(1997)
|
Once Upon A Time in America (1984)
|
#84
|
Easy Rider (1969)
|
The
Green Mile (1999)
|
#85
|
A Night at the Opera (1935)
|
Full
Metal Jacket (1987)
|
#86
|
Platoon
(1986)
|
2001: A Space Odyssey (1968)
|
#87
|
12 Angry Men (1957)
|
Inglorious
Basterds (2009)
|
#88
|
Bringing
Up Baby (1938)
|
The Great Dictator (1940)
|
#89
|
Sixth
Sense (1999)
|
Braveheart (1995)
|
#90
|
Swing Time (1936)
|
The
Bicycle Thief (1948)
|
#91
|
Sophie’s
Choice (1982)
|
The Apartment (1960)
|
#92
|
Up
(2009)
|
Goodfellas (1990)
|
#93
|
The
French Connection (1971)
|
Downfall (2004)
|
#94
|
Pulp
Fiction (1994)
|
Gran Torino (2008)
|
#95
|
The Last Picture Show (1971)
|
Metropolis
(1927)
|
#96
|
Do
The Right Thing (1989)
|
The Sting (1973)
|
#97
|
Blade
Runner (1982)
|
Gladiator (2000)
|
#98
|
Yankee Doodle Dandy (1942)
|
The
Maltese Falcon (1941)
|
#99
|
Toy
Story (1995)
|
Unforgiven (1992)
|
#100
|
Ben
Hur (1959)
|
The Elephant Man (1980)
|
Next time another triple play. I’ll be jumping a little out of order as I look
at all three of the Lord of the Ring
movies and their challengers (Spirited
Away, The Maltese Falcon, On the Waterfront).
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