It’s the Sunday Movie Showdown, The American Film Institute’s (AFI)
Top 100 vs. the Internet Movie Databases’ (IMDb) Top 100. This week a little jumping around:
#29 – Double Indemnity vs. It’s a Wonderful Life
#20
– It’s a Wonderful Life vs. Rear Window
If I had this many kids, I'd throw myself off a bridge too |
This week
was chock-full-o-Jimmy Stewart. I have to admit, it was the first time I’d ever
watched It’s a Wonderful Life with my
air-conditioning running full blast. And unfortunately, my air-conditioning didn’t
make me like the movie any better.
That’s
right, I said I don’t like It’s a Wonderful Life. (I also kick
puppies when no one is looking and give my kids yogurt and tell them it’s
exactly like ice cream.)
Honestly,
I find the film ridiculously sentimental.
I can barely watch it without rolling my eyes and wanting to tell George
Bailey: “Co-dependent much? Enabler? Why don’t you help these people learn how
to fix themselves rather than fix everything for them??”
What’s the
old saying again? Build a man a fire and
he’ll be warm for a night. Set a man on fire and he’ll be warm for the rest of
life.
But
despite my dislike of Wonderful Life,
I can understand and even respect its place as an American cinematic classic. The term Capraesque is in our vocabulary
for a reason.
So I give It’s
a Wonderful Life my vote over Double
Indemnity, because, although it may be sappy, it’s still a better movie
than Double Indemnity. (Although, don’t
get me wrong, I love Indemnity, and
gave it my vote over The Deer Hunterback at #53)
Rear Window - perhaps my favorite Hitchcock & Stewart film |
So, two wins for IMDb this week,
bringing the score to: AFI -42, IMDb -32.
AFI’s
Top 100
|
IMDb’s
Top 100 (as of 1/1/12)
|
|
42
|
32
|
|
#11 | City Lights (1931) | LoTR: Return of the King (2003) |
#19 | On the Waterfront (1954) | LoTR: Fellowship of the Ring (2001) |
#20
|
It's
a Wonderful Life (1946)
|
Rear Window (1954)
|
#29
|
Double
Indemnity (1944)
|
It’s a Wonderful Life (1946)
|
#30
|
Apocalypse Now (1979)
|
Memento
(1990)
|
#31 | The Maltese Falcon (1941) | LoTR: The Two Towers(2002) |
#32
|
The Godfather Part II (1974)
|
Sunset
Boulevard (1950)
|
#33
|
One Flew Over the Cuckoo's Nest (1975)
|
Dr.
Strangelove (1964)
|
#34
|
Snow White and the Seven Dwarfs
(1937)
|
Forrest
Gump (1994)
|
#35
|
Annie
Hall (1977)
|
Leon: The Professional (1994)
|
#36
|
The
Bridge on the River Kwai (1957)
|
Citizen Kane (1941)
|
#37 | The Best Years of Our Lives (1946) | Apocalypse Now (1979) |
#38 | The Treasure of the Sierra Madre (1948) | North By Northwest (1959) |
#39 | Dr. Strangelove (1964) | American Beauty (1999) |
#40 | The Sound of Music (1965) | American History X (1998) |
#41 | King Kong (1933) | Taxi Driver (1976) |
#42 | Bonnie and Clyde (1967) | Terminator 2: Judgment Day (1991) |
#43 | Midnight Cowboy (1969) | Saving Private Ryan (1998) |
#44 | The Philadelphia Story (1940) | Vertigo (1958) |
#45 | Shane (1953) | Amelie (2001) |
#46 | It Happened One Night (1934) | Alien (1979) |
#47 | A Streetcar Named Desire (1951) | Wall E (2008) |
#48 | Rear Window (1954) | Lawrence of Arabia (1962) |
#49 | Intolerance (1916) | The Shining (1980) |
#50 | LoTR: Fellowship of the Ring (2001) | Spirited Away (2001) |
#51 | West Side Story (1961) | Paths of Glory (1957) |
#52 | Taxi Driver (1976) | A Clockwork Orange (1971) |
#53 | The Deer Hunter (1978) | Double Indemnity (1944) |
#54 | M*A*S*H* (1970) | To Kill a Mockingbird (1962) |
#55 | North by Northwest (1959) | The Pianist (2002) |
#56 | Jaws (1975) | The Lives of Others (2006) |
#57 | Rocky (1976) | The Departed (2006) |
#58
|
The Gold Rush (1925)
|
Memento
(2000)
|
#59 | Nashville (1975) | City Lights (1931) |
#60
|
Duck
Soup (1933)
|
Aliens (1986)
|
#61
|
Sullivan's Travels (1941)
|
Eternal
Sunshine of a Spotless Mind (2004)
|
#62
|
American
Graffiti (1973)
|
Requiem for a Dream (2000)
|
#63
|
Cabaret
(1972)
|
Das Boot (1981)
|
#64
|
Network (1976)
|
The
Third Man (1949)
|
#65
|
The African Queen (1951)
|
L.A.
Confidential (1997)
|
#66
|
Raiders of the Lost Ark (1981)
|
Reservoir
Dogs (1992)
|
#67
|
Who’s
Afraid of Virginia Woolf? (1966)
|
Chinatown (1974)
|
#68
|
Unforgiven
(1992)
|
The Treasure of Sierra Madre (1948)
|
#69
|
Tootsie
(1982)
|
Modern Times (1936)
|
#70
|
A
Clockwork Orange (1971)
|
Life is Beautiful (1997)
|
#71
|
Saving Private Ryan (1998)
|
Monty
Python & the Holy Grail (1975)
|
#72
|
The Shawshank Redemption (1994)
|
Back
to the Future (1985)
|
#73
|
Butch Cassidy & the Sundance Kid
(1969)
|
The
Prestige (2006)
|
#74
|
Silence of the Lambs (1991)
|
Pan’s
Labyrinth (2006)
|
#75
|
In
the Heat of the Night (1967)
|
Raging Bull (1980)
|
#76
|
Forrest
Gump (1994)
|
Cinema Paradiso (1988)
|
#77
|
All
the President’s Men (1976)
|
Singing In the Rain (1952)
|
#78
|
Modern
Times (1936)
|
Some Like it Hot (1959)
|
#79
|
The
Wild Bunch (1969)
|
The Bridge on the River Kwai (1957)
|
#80
|
The
Apartment (1960)
|
Rashomon (1950)
|
#81
|
Spartacus
(1960)
|
All About Eve (1950)
|
#82
|
Sunrise: A Song of Two Humans (1927)
|
Amadeus
(1984)
|
#83
|
Titanic (1997)
|
Once
Upon A Time in America (1984)
|
#84
|
Easy
Rider (1969)
|
The Green Mile (1999)
|
#85
|
A
Night at the Opera (1935)
|
Full Metal Jacket (1987)
|
#86
|
Platoon (1986)
|
2001:
A Space Odyssey (1968)
|
#87
|
12
Angry Men (1957)
|
Inglorious Basterds (2009)
|
#88
|
Bringing Up Baby (1938)
|
The
Great Dictator (1940)
|
#89
|
Sixth Sense (1999)
|
Braveheart
(1995)
|
#90
|
Swing
Time (1936)
|
The Bicycle Thief (1948)
|
#91
|
Sophie’s Choice (1982)
|
The
Apartment (1960)
|
#92
|
Up (2009)
|
Goodfellas
(1990)
|
#93
|
The French Connection (1971)
|
Downfall
(2004)
|
#94
|
Pulp Fiction (1994)
|
Gran
Torino (2008)
|
#95
|
The
Last Picture Show (1971)
|
Metropolis (1927)
|
#96
|
Do The Right Thing (1989)
|
The
Sting (1973)
|
#97
|
Blade Runner (1982)
|
Gladiator
(2000)
|
#98
|
Yankee
Doodle Dandy (1942)
|
The Maltese Falcon (1941)
|
#99
|
Toy Story (1995)
|
Unforgiven
(1992)
|
#100
|
Ben Hur (1959)
|
The
Elephant Man (1980)
|
Next week
should be All About Eve vs. Se7en
and High Noon vs. Silence of the Lambs (but you never actually know). Classic
classics vs. contemporary classics. I think we’re going to end up with one
winner from each.
A romance writer... who thinks "It's a Wonderful Life" is "ridiculously sentimental." I love me some irony.
ReplyDeleteAnd what on earth makes "Life" a better film than "Indemnity"? Narrative structure? Characterization? Acting? Dialogue? Girl, you cray-cray.
It's like there's no escaping your class even 20 years later...
Delete