It's the Sunday
Showdown: continuing my comparison of the
American Film Institute's and Internet Movie Database's Top 100 films. 
#54: M*A*S*H* (AFI) vs. To Kill A Mockingbird (IMDb)
This was my first experience with
the movie M*A*S*H*. As a matter of fact, until about 10 years ago, I
didn't even know that there was a movie M*A*S*H* - I thought it was just
a TV series from when I was a kid that I hadn't been allowed to watch. I wasn't
looking forward to viewing the movie, to be honest. Sandwiched around so many
other war films – The Deer Hunter, The
Pianist, Paths of Glory – I thought this would be another tear-jerker about
the atrocities of war.

Uhhh… nope.
I have to say, I quite liked it. A black comedy; quite irreverent; very sassy. Right up my alley. Talented cast (that did not include Alan Alda, to my surprise), quick-witted script. But do I think it was worthy of being in the top 100? I just don’t know. I don’t think so.
I have to say, I quite liked it. A black comedy; quite irreverent; very sassy. Right up my alley. Talented cast (that did not include Alan Alda, to my surprise), quick-witted script. But do I think it was worthy of being in the top 100? I just don’t know. I don’t think so.
And it’s up against To
Kill A Mockingbird the great classic about justice and prejudice. About
race and class and the building of a new America.  Everything opposite of irreverent and sassy. 
Yawn. Did you say something? 
I was dozing during all the pro-justicing and anti-prejudicing.  
 To Kill A Mockingbird
was fine. My 8-year-old watched it with me and liked it pretty well - after all the story is, at it's heart, one about a daughter's relationship with her father and brother. Gregory
Peck  gave a commanding performance – as
always.  It’s a fitting film for Harper
Lee’s autobiographical classic.
To Kill A Mockingbird
was fine. My 8-year-old watched it with me and liked it pretty well - after all the story is, at it's heart, one about a daughter's relationship with her father and brother. Gregory
Peck  gave a commanding performance – as
always.  It’s a fitting film for Harper
Lee’s autobiographical classic.
But it didn’t really do anything for me cinematographically.
So again I have to ask the question: Top 100? Really??  Not only that, it’s #54 on the IMDb list, but
it’s #25 on AFI’s list (against
The Usual Suspects, if you’re
curious). Top 25 movies of ALL time?
Definitely not for me.
So… in what I’m sure will be an unpopular decision amongst
my three movie-fanatic friends who actually read the Sunday Showdown (hey
Denise, I’m including you in that three!): I
choose M*A*S*H* as my pick. 
In a world full of nobility, justice, and truth, somebody
has to stand up for the irreverent and sassy. 
| 
AFI’s Top 100 | 
IMDb’s Top 100 (as of 1/1/12) | |
| 
26 | 
21 | |
| 
#54 | 
M*A*S*H* (1970) | 
To Kill a Mockingbird (1962) | 
| 
#55 | 
North by Northwest
  (1959) | 
The Pianist (2002) | 
| 
#56 | 
Jaws
  (1975) | 
The Lives of Others (2006) | 
| 
#57 | 
Rocky
  (1976) | 
The Departed (2006) | 
| 
#58 | 
The
  Gold Rush (1925) | 
Memento (2000) | 
| 
#59 | 
Nashville (1975) | 
City
  Lights (1931) | 
| 
#60 | 
Duck Soup (1933) | 
Aliens
  (1986) | 
| 
#61 | 
Sullivan's Travels (1941) | 
Eternal Sunshine of a Spotless Mind
  (2004) | 
| 
#62 | 
American Graffiti
  (1973) | 
Requiem
  for a Dream (2000) | 
| 
#63 | 
Cabaret (1972) | 
Das
  Boot (1981) | 
| 
#64 | 
Network (1976) | 
The Third Man (1949) | 
| 
#65 | 
The
  African Queen (1951) | 
L.A. Confidential (1997)  | 
| 
#66 | 
Raiders of the Lost Ark (1981) | 
Reservoir Dogs (1992) | 
| 
#67 | 
Who’s Afraid of Virginia Woolf? (1966) | 
Chinatown
  (1974) | 
| 
#68 | 
Unforgiven (1992) | 
The
  Treasure of Sierra Madre (1948) | 
| 
#69 | 
Tootsie (1982) | 
Modern
  Times (1936) | 
| 
#70 | 
A Clockwork Orange (1971) | 
Life
  is Beautiful (1997) | 
| 
#71 | 
Saving
  Private Ryan (1998) | 
Monty Python & the Holy Grail
  (1975) | 
| 
#72 | 
The
  Shawshank Redemption (1994) | 
Back to the Future (1985) | 
| 
#73 | 
Butch
  Cassidy & the Sundance Kid (1969) | 
The Prestige (2006) | 
| 
#74 | 
Silence
  of the Lambs (1991) | 
Pan’s Labyrinth (2006)  | 
| 
#75 | 
In the Heat of the Night (1967) | 
Raging
  Bull (1980) | 
| 
#76 | 
Forrest Gump (1994) | 
Cinema
  Paradiso (1988) | 
| 
#77 | 
All the President’s Men  (1976) | 
Singing
  In the Rain (1952) | 
| 
#78 | 
Modern Times (1936) | 
Some
  Like it Hot (1959) | 
| 
#79 | 
The Wild Bunch (1969) | 
The
  Bridge on the River Kwai (1957) | 
| 
#80 | 
The Apartment (1960) | 
Rashomon
  (1950) | 
| 
#81 | 
Spartacus (1960) | 
All
  About Eve (1950) | 
| 
#82 | 
Sunrise:
  A Song of Two Humans (1927) | 
Amadeus (1984) | 
| 
#83 | 
Titanic
  (1997) | 
Once Upon A Time in America (1984) | 
| 
#84 | 
Easy Rider (1969) | 
The
  Green Mile (1999) | 
| 
#85 | 
A Night at the Opera (1935) | 
Full
  Metal Jacket (1987) | 
| 
#86 | 
Platoon
  (1986) | 
2001: A Space Odyssey (1968) | 
| 
#87 | 
12 Angry Men (1957) | 
Inglorious
  Basterds (2009) | 
| 
#88 | 
Bringing
  Up Baby (1938) | 
The Great Dictator (1940) | 
| 
#89 | 
Sixth
  Sense (1999) | 
Braveheart (1995) | 
| 
#90 | 
Swing Time (1936) | 
The
  Bicycle Thief (1948) | 
| 
#91 | 
Sophie’s
  Choice (1982) | 
The Apartment (1960) | 
| 
#92 | 
Up
  (2009) | 
Goodfellas (1990) | 
| 
#93 | 
The
  French Connection (1971) | 
Downfall (2004) | 
| 
#94 | 
Pulp
  Fiction (1994) | 
Gran Torino (2008) | 
| 
#95 | 
The Last Picture Show (1971) | 
Metropolis
  (1927) | 
| 
#96 | 
Do
  The Right Thing (1989) | 
The Sting (1973) | 
| 
#97 | 
Blade
  Runner (1982) | 
Gladiator (2000) | 
| 
#98 | 
Yankee Doodle Dandy (1942) | 
The
  Maltese Falcon (1941) | 
| 
#99 | 
Toy
  Story (1995)  | 
Unforgiven (1992) | 
| 
#100 | 
Ben
  Hur (1959) | 
The Elephant Man (1980) | 
So five in a row for AFI. 
Score is 26-21. Next week The Deer
Hunter vs. Double Indemnity.
Russian Roulette vs. Billy Wilder.  Hard
choices.
 
