Sunday, September 15, 2013

Sunday Showdown: AFI vs. IMDb (#18)

It’s the Sunday Movie Showdown, The American Film Institute’s (AFI) Top 100 vs. the Internet Movie Databases’ (IMDb) Top 100. 
 
 #18: The General vs. City of God
 
City of God
There are some people who love Fernando Meirelles’ City of God (Cidade de Deus), the tale of crime and poverty in a Rio de Janeiro neighborhood by the same name in the 70s and 80s.  I’m not one of those people. I appreciate its non-linear story structure, its frantic pace and its graphic true-story portrayal of urban decay. Not to mention providing the wonderful quote: "If you run, the beast catches you; if you stay, the beast eats you.”

But honestly, by the end of the film, I didn’t care about these characters – not really at all. Something about the explicit, wanton violence caused me to give up on them early in the film and leave them for dead – which they all pretty much were by the end of the film. But no matter what, I have to admit it kept my attention.

The General, the Buster Keaton silent classic about the Civil War, was perhaps not as exciting, and definitely not as graphically violent, as City of God.  But it is Buster Keaton doing what Keaton does best:  amazing physical feats – the consummate stuntman/actor.

The General is a 1.5 hour sort-of comedy, sort-of drama about a mild-mannered railroad engineer who risks life and limb to retrieve his stolen train engine from a band of Union spies and rescue the love of his life.
The General
Iconic scene from The General

The problem with The General is that it really is neither comedy nor drama. It didn’t really make me laugh and it didn’t really make me worry about what was going to happen.  But the NOT problem with The General is how physically fabulous Buster Keaton is. This movie had action, long before there were any sort of CGI special effects to help move action along. And there are some really nice cinematic moments in the movie.

The General has been called the greatest silent movie of all time. I don’t agree with that statement, but I will give it my vote over City of God. But I give it my vote more as a salute to Keaton’s massive physical talent than because I enjoy this movie so much.

So the score stands at AFI – 46, to IMDb -37. AFI seems to be pulling way ahead again, but looking at the upcoming comparisons (I’ve made the entire list available above, if you want to look at the remaining films) I think IMDb is going to win at least the next couple, maybe more.

Next week’s Showdown is The Graduate vs. Fight Club.  Let me just warn you, if you’re a fan of The Graduate, you should probably sit next week out.


AFI’s Top 100
IMDb’s Top 100 (as of 1/1/12)

46
37



#11 City Lights (1931) LoTR: Return of the King (2003)



#18
The General (1927)
City of God (2002)
#19 On the Waterfront (1954) LoTR: Fellowship of the Ring (2001)
#20
It's a Wonderful Life (1946)
Rear Window (1954)
#21
Chinatown (1974)
Once Upon a Time in the West (1968)
#22
Some Like It Hot (1959)
Raiders of the Lost Ark (1981)
#23
The Grapes of Wrath (1940)
Toy Story 3 (2010)
#24
E.T. the Extra-Terrestrial (1982)
Psycho (1960)
#25
To Kill a Mockingbird (1962)
The Usual Suspects (1995)
#26
Mr. Smith Goes to Washington (1939)
The Matrix (1999)
#27
High Noon (1952)
Silence of the Lambs (1991)
#28
All About Eve (1950)
Se7en (1995)
#29
Double Indemnity (1944)
It’s a Wonderful Life (1946)
#30
Apocalypse Now (1979)
Memento (1990)
#31 The Maltese Falcon (1941) LoTR: The Two Towers(2002)
#32
The Godfather Part II (1974)
Sunset Boulevard (1950)
#33
One Flew Over the Cuckoo's Nest (1975)
Dr. Strangelove (1964)
#34
Snow White and the Seven Dwarfs (1937)
Forrest Gump (1994)
#35
Annie Hall (1977)
Leon: The Professional (1994)
#36
The Bridge on the River Kwai (1957)
Citizen Kane (1941)
#37 The Best Years of Our Lives (1946) Apocalypse Now (1979)
#38 The Treasure of the Sierra Madre (1948) North By Northwest (1959)
#39 Dr. Strangelove (1964) American Beauty (1999)
#40 The Sound of Music (1965) American History X (1998)
#41 King Kong (1933) Taxi Driver (1976)
#42 Bonnie and Clyde (1967) Terminator 2: Judgment Day (1991)
#43 Midnight Cowboy (1969) Saving Private Ryan (1998)
#44 The Philadelphia Story (1940) Vertigo (1958)
#45 Shane (1953) Amelie (2001)
#46 It Happened One Night (1934) Alien (1979)
#47 A Streetcar Named Desire (1951) Wall E (2008)
#48 Rear Window (1954) Lawrence of Arabia (1962)
#49 Intolerance (1916) The Shining (1980)
#50 LoTR: Fellowship of the Ring (2001) Spirited Away (2001)
#51 West Side Story (1961) Paths of Glory (1957)
#52 Taxi Driver (1976) A Clockwork Orange (1971)
#53 The Deer Hunter (1978) Double Indemnity (1944)
#54 M*A*S*H* (1970) To Kill a Mockingbird (1962)
#55 North by Northwest (1959) The Pianist (2002)
#56 Jaws (1975) The Lives of Others (2006)
#57 Rocky (1976) The Departed (2006)
#58
The Gold Rush (1925)
Memento (2000)
#59 Nashville (1975) City Lights (1931)
#60
Duck Soup (1933)
Aliens (1986)
#61
Sullivan's Travels (1941)
Eternal Sunshine of a Spotless Mind (2004)
#62
American Graffiti (1973)
Requiem for a Dream (2000)
#63
Cabaret (1972)
Das Boot (1981)
#64
Network (1976)
The Third Man (1949)
#65
The African Queen (1951)
L.A. Confidential (1997)
#66
Raiders of the Lost Ark (1981)
Reservoir Dogs (1992)
#67
Who’s Afraid of Virginia Woolf? (1966)
Chinatown (1974)
#68
Unforgiven (1992)
The Treasure of Sierra Madre (1948)
#69
Tootsie (1982)
Modern Times (1936)
#70
A Clockwork Orange (1971)
Life is Beautiful (1997)
#71
Saving Private Ryan (1998)
Monty Python & the Holy Grail (1975)
#72
The Shawshank Redemption (1994)
Back to the Future (1985)
#73
Butch Cassidy & the Sundance Kid (1969)
The Prestige (2006)
#74
Silence of the Lambs (1991)
Pan’s Labyrinth (2006)
#75
In the Heat of the Night (1967)
Raging Bull (1980)
#76
Forrest Gump (1994)
Cinema Paradiso (1988)
#77
All the President’s Men  (1976)
Singing In the Rain (1952)
#78
Modern Times (1936)
Some Like it Hot (1959)
#79
The Wild Bunch (1969)
The Bridge on the River Kwai (1957)
#80
The Apartment (1960)
Rashomon (1950)
#81
Spartacus (1960)
All About Eve (1950)
#82
Sunrise: A Song of Two Humans (1927)
Amadeus (1984)
#83
Titanic (1997)
Once Upon A Time in America (1984)
#84
Easy Rider (1969)
The Green Mile (1999)
#85
A Night at the Opera (1935)
Full Metal Jacket (1987)
#86
Platoon (1986)
2001: A Space Odyssey (1968)
#87
12 Angry Men (1957)
Inglorious Basterds (2009)
#88
Bringing Up Baby (1938)
The Great Dictator (1940)
#89
Sixth Sense (1999)
Braveheart (1995)
#90
Swing Time (1936)
The Bicycle Thief (1948)
#91
Sophie’s Choice (1982)
The Apartment (1960)
#92
Up (2009)
Goodfellas (1990)
#93
The French Connection (1971)
Downfall (2004)
#94
Pulp Fiction (1994)
Gran Torino (2008)
#95
The Last Picture Show (1971)
Metropolis (1927)
#96
Do The Right Thing (1989)
The Sting (1973)
#97
Blade Runner (1982)
Gladiator (2000)
#98
Yankee Doodle Dandy (1942)
The Maltese Falcon (1941)
#99
Toy Story (1995)
Unforgiven (1992)
#100
Ben Hur (1959)
The Elephant Man (1980)






Thursday, September 12, 2013

The Road to Publication - Copy Edits & Author Alterations (aka: Proof that I'm Not as Smart as I Think I Am)

So this week brought another first in the journey to become a published author for Harlequin Intrigue. Each of these milestones have been exciting and terrifying at the same time. And because each is so new to me, it's stressful. Way stressful.

One First that wasn't stressful - My first Advance check!
My editor sends me something -- a file, a question, a form to fill out -- and I do it. But then I wonder: are my comments understandable? are they appropriate? are they even wanted in some cases?

And, you know me, I always have a comment. About everything. I'm sure there has been times when my editor wished she had never signed me.

Regardless, I'm trying to treasure and appreciate every step as it comes because I know I will never have another first book. It's kind of like parenting: you love all your kids, but everything is unique, new, terrifying and unexpected with the first one.

This week, I received my first ever set of Copy Edits.  Basically, a copy editor and my main editor had gone through and marked up my manuscript -- everything from formatting to grammar/spelling, to overall consistency issues, to just better ways of writing a particular sentence. It was pretty brutal -- like being back in college. If their comments had just been in red ink, it would've bled just like a Freshman English paper all over again.

Here's a sample:

My Copy Edits

This is a reasonably mild page in term of comments, some had many more. Of my 220-page book, there were only about 10 pages that didn't have some sort of correction.

Anything that was undeniably wrong -- the blue words in the text itself above -- was just automatically changed for me, I had no say in that. But anything that required an opinion, something that could go either way, I had to approve. That's where the blue and red boxes came in. For the record, I agreed with probably 95% of their suggested changes.

So after the initial shock and embarrassment of "OMG, how did I miss so many errors?" wore off, and the perfectionist in me who doesn't like any red marks on her paper, was stuffed and gagged, it really wasn't too bad. I made what changes I needed to and I was able to get it back to my editor within a couple of days.

My Author Alteration file
And, to my surprise, a couple hours later my editor sent my Author Alteration (AA) proofs. This is basically my last chance to make any changes and catch any errors within my book. Once I send that file back (due mid-October), I am stating that, as far as I'm concerned, the book is officially and completely finished and error-free. It will then go to a second copy editor one last time for anything me, my editor, the first copy editor (and then me again) might all have missed.


And darn if that doesn't look just like a book. Like a real, live book. That people will hopefully buy and read come April 2014.

So here's my "Road to Publication" Timeline so far:
May 2012 - Sent a back cover blurb & 100-word snippet to Intrigue team as part of a contest; Editor requested first three chapters and full synopsis

June 2012 - Sent requested chapters and synopsis

October 2012 - Received (amidst the 2012 "So You Think You Can Write" Contest Madness - I'm still embarrassed to think about it) request for full manuscript from editor (read about that request here)

December 2012 - Sent full manuscript to editor

June 18, 2013 - Received "The Call" from Harlequin -- they wanted to buy and publish my book in April 2014

Mid-July 2013 - Asked to submit the "Art Fact Sheet" for my manuscript.  A list of a billion questions (about characters, locales, seasons, etc.) from which they will develop the cover of my book. So if my hero looks like Fabio, I only have myself to blame.

August 1, 2013 - After much discussion back and forth, I was notified that the title of my Harlequin Intrigue book would be Primal Instinct (read about that here)

Sept 10, 2013 - Received copy edits; made changes and returned on 9/12/13

Sept 12, 2013 - Received AA (author alteration) file; due mid-October.

There's other stuff I know I still have to do before next April when the book comes out, and I'm looking forward to that too. It's all a little bit scary, but a whole lot of awesome.